Painting Immersion

I've had two intense painting experiences lately. First, Flora Bowley's online class which I thoroughly enjoyed. She's fabulous about getting underneath all the stuff in our heads and helping with the loosening up process. I loved her spiritual approach to painting--that it is about letting go, not being attached, being in the moment. Many valuable lessons there, and things that I will continue to try to practice.

I followed that with another 5 day Bill Park's workshop. I had taken one several years ago and it was a real turning point in painting for me. His approach is very similar to Flora's in that he is totally focused on the process and letting go. He will paint for years on one painting just for the sheer joy of changing it and said he always feels sad to finish one, like finishing a good book.

Taking the two back-to-back helped me clarify what does and doesn't work for me. I found that I could not really use Flora's methods without ending up with imitations of her work. For some reason, it was very hard to find myself in that technique. Maybe more time would have brought me there, but I struggled with her use of pure color from the tubes and postponement of composition. I love what she does, but unless I copied it, it just wasn't working for me.

After Bill's class I came back and finished this painting I started in Flora's class:

Up close:
This is the one I posted several posts ago. You can still see some of the early bits, but most are gone.

I wrote about Bill's process last time I took the class, and you can read about it here, here and here if interested.

His building:
and the front door to his studio:

So now I have a bunch of canvases in process and will probably be changing them for years. But having lots of fun!

The Auction Project

The teens in my Art and Design class put together this fabulous piece of Portland with Mt. Hood in the background for the school auction. I divided a photo into 16 sections, and they each created one piece of the total collage. They worked with magazine pages and were told to interpret rather than copy the original photo.

It was so exciting to watch the piece come together. Since they were working on such small details up close, they didn't have a sense of how the final picture would look. They were all pretty stunned at the final unveiling. What I especially love about the piece is that you can see their individual styles if you inspect the piece up close, yet they came together beautifully into a very professional looking polished piece.

If you would like to bid on the piece, it's available in the online auction and the proceeds go to support a fantastic alternative school. The piece is matted and framed and very impressive, if I do say so myself.

Click here to see it and bid.

Working with What's Working

Entering the fourth week of Flora's class (I'm a bit behind on assignments), we have been adding more layers and now have an even bigger mess. Flora calls this the ugly teenage stage. She has a refreshing way of looking at things though. Rather than focusing on what isn't working at this stage, she tells us to look for what is working and do more of it.

Here's all the craziness in one of my canvases:

I can't say I'm finding a whole lot that I love about it, but I do like this shape:

And the freshness of this area:

So those will be my starting points when I approach it next time. It's funny that I always approach my students' work in that sort of positive light, looking for what is working in a piece, but when it comes to my own, my thoughts turn negative and I'm critical about what doesn't work. I'll give this a whirl.

I really love the spiritual quality of Flora's approach and the lessons that come through painting--acceptance, letting go, being flexible, staying present. Some days I'm much better at those things than others.

Wild and Crazy

These are my paintings from the end of week 2 of Flora Bowley's online class. It's been lots of fun doing layers and layers of paint, but I'm feeling the urge to tame them now. We will be working on these same canvases for 3 more weeks, so they should look radically different by the time I'm done.

Flora's class is so beautifully designed, a lovely cross between painting and The Artist's Way sort of thoughts and exercises, with a little yoga thrown in. Flora has such a lovely presence with a calm, centered quality--it comes through even online.

I have no problem throwing paint on canvas and letting go. It's the next stage--the turning all the joy and wildness into a well-composed painting that doesn't lose its energy--that is challenging for me. So my fingers are crossed that I can continue to stay focused on the process and not worry too much about the results.

Tag Tuesday--Happy Valentines!

I'm kind of killing many birds with one stone this week. Tag Tuesdays' last two themes were hearts, then Valentines. I made this Valentine for my art group Valentine swap, so I'll just check off my whole list.

This was inspired by Jude's cloth weavings, using some of my hand-painted fabrics for a bit of a graphic touch and both machine and hand stitching. I copied some of my painted fabrics on paper and used it for the background.

Happy Valentines Day!

Tag Tuesday--Lace

The challenge for Tag Tuesday this week is lace. I've never been a lacy kind of girl, so wanted to see what else I could do with it. I decided to follow the lace pattern and do some chunky embroidery on top of it.

That might have more potential for playing with smaller lace patterns.

I was looking over my list for my personal "Just 30" challenge, which I wrote about here and found that I worked on, if not completed, everything I had on the list for the month. 30 days is so much more manageable than a year! So I'm going to jot down a few more things I'd like to do in the next 30 days.

Carve more stamps for printing on fabric

Make more fiber components, both hand and machine

Try deconstructed screen printing

Do some layering of printing on fabric, with dyes or discharge

Paint

It's a shorter list because I'm starting Flora Bowley's online painting class, so I want to stay open to however much time that requires or inspires.

Pilot Parallel Pens

I really like the line variety that dip pens give, but they are a little scary to take out sketching in public. I've been experimenting with a bunch of different pens trying to find something that gives nice line variety but can be thrown in a purse.

I'm really excited about the Pilot Parallel Pens. They come in different nib sizes and have replaceable ink cartridges that come in different colors.

This nib is the 3.8mm, about 1/4" wide:

I think it's my favorite--I used it on this bouquet and like the irregular line.

They don't have waterproof ink though, at least I haven't been able to find any. This was black ink, but when I put watercolors on top it bled a beautiful purple color. I love the effect.

This sketch was done with a smaller Parallel pen, 1.5mm, and the black ink bled gray on this one. Not sure why they differ.

I'm always trying for a looser, sketchier look in sketching, and these pens help me give up some control.